Grahame,
Kenneth. The Wind in the Willows.
Illustrated by Ernest H. Shepard. Charles Scribner’s Sons, 1908. (259 pages)
This classic tale of
friendship was a pleasure to read. I actually laughed out loud a few times at
some of Toad’s exploits. The characterization was amazingly well done; each of
the main characters mirrored aspects of people we meet every day. There are
sweet and stodgy Mole, poetic hospitable Rat, grim powerful Badger, and
outrageous Toad. The concepts of home and friendship were drawn out
beautifully.
Wind
in the Willows is classed as a children’s modern
fantasy, but it seems to me much more of a book adults would appreciate. While
there is some action (jailbreak and chase, fight with weasels, car crashes) it
is slow moving as Grahame gives sprawling descriptions of setting and nostalgic
explanations of home and nature. Adults will appreciate these passages as they
are very well done, but I could imagine some children finding them boring.
I realized after
starting this book that I had never read the actual novel before. I had certainly
read shorter versions of it targeted to younger readers, and saw the Disney
short animated film. But there were minor characters and descriptive sections in
Grahame’s novel that are excluded in subsequent versions. One of the most
poignant excluded sections, in my opinion, is the section from which the book
derives its name. Rat explains and interprets the song he hears in the air as
the wind blows through the willows:
“Lest the awe
should dwell
And turn your
frolic to fret
You shall look
on my power at the helping hour
But then you
shall forget!
Lest limbs be
reddened and rent
I spring the
trap that is set
As I loose the
snare you may glimpse me there
For surely you
shall forget!
Helper and
healer, I cheer
Small waifs in
the woodland wet
Strays I find in
it, wound I bind in it
Bidding them all
forget!” (p. 141 italics only)
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